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Sydney Theatre School 45 Chippen Street Sydney, NSW 2008 Australia 1300 551 432
In order for a piece of drama (or comedy) to interest and engage an audience it requires CONFLICT. There are three types: Internal (i.e. "to be or not to be...") External/Environmental (i.e. fire, flood, broken down car etc) Interperson
Find out moreI've run my own agency for professional actors (Sydney Creative Management) from 2006 to the present day. During this period, I've had hundreds of actors approach me looking for representation; attended countless drama school showcases, theatre produ
Find out moreThere are many important factors to consider when choosing a drama/acting school. One of the most important is whether there are opportunities for students to perform in full-length productions (or not). Unlike some acting & drama schools in S
Find out morelemming 1. A small, short-tailed, thickset rodent related to the voles, found in the Arctic tundra. 2. A member of a crowd with no originality or voice of his own. One who speaks or repeats only what he has been told. 3. A person who unthinkin
Find out moreI will often ask our students the following question: What does it take to be successful and to have a career as a professional actor? Often, the answer will be along the lines of: “talent“; “acting skills“; “training“; “a good agentâ
Find out moreHere is some advice and guidance for those who are preparing their audition monologues for our upcoming auditions in November. There are usually many more applicants than available places so preparation and hard work is required to be successful in s
Find out moreYou can’t develop acting 'talent' by reading a book. You can’t become 'talented' by enrolling in an on-line course. No-one can actually teach you how to become a 'talented' performer. Anyone who tells you they can, is usually just trying to sell
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